Snoop dogg discography megalinks
Snoop, meanwhile, reminds you that he was once a good enough writer that other people paid him to write their bars: “I live the fast life where ya keep ya cash tight / In broad daylight walkin’ wit ya flashlight / Adding up what ya brought in from last night / She mad tight with mad bite is that right.” “True Lies (featuring Kokane)” Produced by Dr. Dre production driven by a P-Funk-inspired groove and Kokane’s best George Clinton impression. We skip ahead to 2000’s Tha Last Meal, which was a deliberate throwback to Doggystyle, from its Joe Cool-illustrated cover art (great idea) to its Timbaland-produced sequel to “What’s My Name” (the less said, the better). “Hennesey N Buddah (featuring Kokane)” Produced by Dr. Snoop’s verses here are workmanlike but fun, and even guest Master P seems to be having a good time. Dick, Craig B, and O’Dell-were certainly capable of making great beats when they had more than twenty minutes to finish them. Tracks like this are evidence that the Beats collective-KLC, Mo B. Snoop’s first No Limit album, 1998’s Da Game is to be Sold, Not to be Told, was mostly a gaudily packaged dud (all praise to Pen & Pixel) that seemed to affirm the diminished expectations around the rushed release But the “Snoop World” album intro gets things off to a rollicking start via KLC’s brilliant pairing of live bass and stoned xylophone. So without further ado… “Snoop World (featuring Master P)” Produced by KLC But once you excise The Tank from the frame-like an inverse Garfield Minus Garfield -it becomes easier to visualize the Artful Dodger who rolled around Long Beach on the handlebars of a bicycle and once effortlessly demolished the New York City skyline. If you’d forgotten how good some of these tracks were, it’s only because you vividly remember the half-inspired No Limit numbers that surrounded them. Snoop, meanwhile, was still a nimble rapper with authenticity and edge-the guy who popped up to Bogart a joint in Half Baked, not the pervy uncle leering at Katy Perry in “California Girls.” His best verses here offer a dexterously delivered distillation of his Doggystyle essence, with elements of playful braggadocio, vivid street life, and copious drug-and-alcohol intake. This is Dre in his “ Deep Note ,” high fidelity prime, and any of these cuts would have fit seamlessly on 2001 Snoop tells the good doctor to “holla at me” near the end of the Dre-less Da Game is to be Sold, Not to be Told, and he prescribes absolutely stellar beats on the next two albums. The best songs from this period were rooted firmly within the fertile soil of G-Funk, tended to by producers like Meech Wells, DJ Quik, Battlecat, Jelly Roll, Soopafly, and especially Dr. And while the clash between Snoop’s breezy flow and No Limit’s sledgehammer sound did produce several interesting moments-like the C-Murder collaboration Kanye sampled for “Blood on the Leaves”-Snoop always sounded like a tourist on these cuts, even when they were on his own albums. The deal with Master P was a marriage of business convenience, not natural musical stylings. And while Dre was known as a sonic perfectionist, No Limit proudly offered “Beats By the Pound” along with a sprawling catalog of artists you’d never heard of releasing overstuffed albums you’d never purchase (or purchase and sell back after dubbing the four good songs). No Limit Records launched out of Richmond, and did start off offering a facsimile West Coast sound-but one that was already bending towards Master P’s hometown New Orleans bounce.
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These were, after all, albums recorded in the wake of the underwhelming (although arguably slightly underrated) Doggfather, which left many listeners… well, at least skeptical about Snoop’s merit as a solo artist without Dr. This poor reception shouldn’t have been surprising. I may have even made a comparison to “Bowie’s Berlin trilogy” in my fervor.Īlas, the response was muted-which is to say I never even received an autofill “Thanks for sharing!” reply.
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From monitoring the “Friend Activity” sidebar on Spotify, I knew that this group regularly revisited The Chronic, Doggystyle, and 2001 and I was sure they’d be thrilled to dive into this carefully curated mix from the same period (or at least the back half of it). Pete Hunt gets no rap with that tore up khaki suit.Ī few years back, I excitedly emailed some colleagues to announce I’d created a playlist featuring the best songs from Snoop Dogg’s No Limit albums.
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